Posted by: lanegs on: April 13, 2009
I typed this in my office and when I clicked Publish, it was automatically posted to my blog. You try it!
Lane
Posted by: lanegs on: April 3, 2009
My colleague, Adam Brooks, had this great idea to create a lot of short instructional videos and deliver them using YouTube. He’s way ahead of the rest of us, but we’re doing our bit. Lots of fun and we hope, useful, too. Click on CPCc eClipz in the Web Training links.
Posted by: lanegs on: February 29, 2008
Got my brushes in the mail today and am I pleased! They paint like a dream and were so reasonable in cost. It’s an irony of the global marketplace: how is it that I can purchase handmade sable brushes from England at a lower price (far lower shipping costs) than I can here in the States? Go figure. (BTW, it took about a week to receive my brushes, from emailing the order to opening up my mailbox.)
In any case, I urge you to take a look at Rosemary.com and try her brushes for yourself. You have little, if anything to lose.
I got an 8 and 10 series 99 pure sable rounds (though not Kilinsky) for about $12.50 and $28.00 respectively. And a 1/4″ and 1/2″ pure sable one-strokes (not Kilinsky) for about $7.40 and $24.80 respectively. Shipping direct to me from England: $4.00. Total cost for four pure sable brushes including shipping, $76.42. Pretty decent value.
Of course, the best part is that the brushes are marvelous. Hard to explain the difference between painting with sable and synthetic. You’ve got to try it for yourself. But I’ll mention that when I mixed a good puddle of color and pushed each brush down for a nice wide stroke, the #10 synthetic stroke was about 3/8″ wide whereas the #10 sable spread out to a delicious 3/4″–I’m not kidding! And smooth as glass to boot. I’m sold, as you can tell.
Of course, now I wish that I had purchased several more of Rosemary’s brushes, but patience, patience. Besides additional sables, I definitely am going to try her specialty rotary tree brush (synthetic, it appears), because I have the dangdest time painting good trees, and this looks to be the ticket. Two sizes at about $20 and $26 apiece.
Catch you later cause I’m going painting!
Lane
Posted by: lanegs on: February 20, 2008
Although I’m new to watercolor painting, I’m learning quickly, and it’s been recommended to me that I purchase some sable brushes to give myself the opportunity to experience the difference that a quality brush can make in one’s painting.
SO I began a quest for sable brushes and have come up with two sources that I would like to pass along:
http://www.dakotabrushes.com — I only checked out their sables, but their prices are very competitive and–best of all–they only charge $5.00 SHH for your total brush order. I did a comparison, and for the same order, Dick Blick’s prices were 20% higher and the SHH was 15.95 compared to $5.00.
http://www.rosemaryandco.com — I found out about Rosemary & Co. on the Handprint.com website (Bruce McEvoy). She’s located in England and has been handmaking brushes for about 25 years. I’m fascinated with the idea of owning handmade sable brushes–and from Britain to boot!–so I’ve just placed an order.
The international purchase process isn’t entirely clear (there’s a printable mail-in form, but no online form). But I emailed my order and got a reply the next day, saying that my brushes should take around 5 days to arrive here in Charlotte, NC. The cost was very reasonable: for four sable brushes (not Kolinsky), 38.21 pounds sterling.
I went to the Rosemary.com website, clicked on the PayPal link; logged in; copied the email address; entered 38.21; selected British pounds; completed the form; clicked submit; and I’m done! I think this is an amazing thing–to be able to buy something from a foreign country and effect payment this easily and securely. Plus Rosemary & Co. can’t be charging much for shipping. So I anxiously await the arrival of my brushes and will post my comments at that time.
Lane
Posted by: lanegs on: December 11, 2007
I work with faculty who use a variety of instructional technology to teach on the Internet as well as in the classroom. And one of the fun things my colleagues and I have been experimenting with is an application called CrazyTalk that animates images.
One doesn’t want to get too carried away with this type of thing or it can actually be distracting, but an avatar (or learning agent) does attract attention and breaks up the all too oppressive landscape of text, text, and more text.
Here is my avatar–a sweet artist that I painted with watercolors. I wish I looked like her, but she’s still an inspirational alter ego. And it was great fun to take my watercolor set to work and complete my assignment.
Hope you are all having a great holiday season. I plan to do as much watercolor painting as possible. Cheers!
Lane
Posted by: lanegs on: November 1, 2007
One can never have enough art supplies (do I hear applause?) and my latest art “problem” to solve is finding the perfect (for me) fountain pen for sketching. I am looking for a “working” pen, not a collector’s pen, i.e., low-price, but good quality. I also want a pen/nib that produces a variable-width line rather than a consistent-width line. My research indicates that this quality primarily results from a flexible nib (another link), which is normally associated with dip pens. My conclusion is that I have about four decent options and I’ll share these with you: (all prices are from Pendemonium.com except Ackerman and do not include SHH)
Lamy Safari with ink converter ($30 + $5)- Nina Johannsen’s site influenced me the most; and possibly the Lamy Studio which is $56 with converter at Swisher.com
Pelikan Traditional 150 piston fill ($50) – I love the separate screw-in nib units ($15 each)
Ackerman pump pen ($30) – Here’s a persuasive forum post ; supposedly you can fill this pen with ANYTHING it will suck up, including diluted watercolor paint, India ink, whatever.
Sailor Profit Super Script with ink converter – This 4-in-1 nib sounds very cool ; this is a wonderful artist’s sketchbook site and she uses a Sailor pen (but a fairly expensive one); another interesting option is the Zoom nib, but this doesn’t seem to have the charming line quality that I’m looking for.
Here’s a website that compares the nib widths of various pen brands, which is very useful.
While I’m on this topic I might as well add what I’ve found on inks:
if you are sketching the biggest question is whether you want the ink to not smear if and when you lay on a watercolor wash. The Noodler’s Bulletproof ink is said to be waterproof and noncorrosive for fountain pens. For my purposes I believe that I want to try (in this order; all $12.50 each from pendemonium.com w/o SHH):
Noodler’s American Eel black ink (supposed to be kind of lubricated; good for pump mechanisms)
Noodler’s Bulletproof black ink (may be redundant if I get the above)
Noodler’s Eternal Brown ink
Noodler’s gray ink
So you see, it’s been fun, but confusing! I want all of these pens (and more!), but I must choose. I’m REALLY thinking hard about trying an Ackerman pump pen with a Crowquill nib. If I do, I’ll post a sample of the lines I’m able to draw with it.
Cheers,
Lane
Posted by: lanegs on: November 1, 2007
Like most people I have diverse interests. At the top of my current list are eLearning, website creation, watercolor painting, and digital photography. My plan is to use my blog to gather and share information–mine and others’–about these and other topics that I find intriguing. If these topics interest you as well, then I want to hear from you!
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